Showing posts with label Odes. Show all posts
Showing posts with label Odes. Show all posts
Sunday, May 2, 2004
In Praise of Dr. Megavolt
Dr. Megavolt is a guy who wears a sort of tin-foil suit of armor and a birdcage for a helmet. He stands on top of what looks like an ice cream truck with an enormous Tesla coil on top. They turn on the Tesla coil and Dr. Megavolt wrassles the lightning. The ambient electricity is strong enough to raise the hairs on your scalp and to cause an unconnected fluorescent light tube (held aloft by a schlub assistant) to incandesce. You can feel the fillings in your head.
When I saw him at Burning Man in 1999, he fought the lightning from the coil for a few minutes and then shuffled to the side of the truck where he leaned over the edge and said to one of his technicians:
“Hey guys . . . I can still feel it.”
This moment of whiny humanity produced in me an abiding love for the idiotic stunt of Dr. Megavolting.
I saw the poor sap yesterday at the Coachella festival. He looked no worse for wear, but who knows? Inside those metal bars and iron cage, maybe there is a middle-aged guy struggling with his divorce or with worries about his receding hairline and expanding middle. Maybe the electricity has fundamentally altered the way he sees himself or how he feels about things. Who would he be if he weren't Dr. Megavolt?
In any case, Megavolt answers the call of the bell. He straps on that birdcage, climbs awkwardly on top of his ice cream truck and throws down with the great talons of hair-raising electricity that arc from the buzzing and screaching Tesla coil. If that ain’t a man, I dunno what is.
Gary Cooper for the new millennium: Dr. Megavolt.
Tuesday, April 27, 2004
In Praise of Fat Elvis
Bejumpsuited, Chestal hairs breathing free!
What fool would choose your earlier, easier, milquetoastier incarnation. That Elvis is the Elvis of the nostalgic; of the weak.
No, give me the operatic, the melodramatic, the bombastic Elvis. The Elvis of "Suspicious Minds" and "In the Ghetto" and "Burning Love." Give me the avatar of rock n' roll pathos and excess. Give me the hunka hunka himself, apotheosis of the American id.
That svelte proto-Elvis was consumed, like the newborn Olympians, sacrificed to that final, monolithic Elvis and his sequined destiny and his windmilling arms and his rhinestone encrusted belt.
Crouch down and be counted as one of the mighty.
Here are your flared pants and your floral leis. Here are the scarves, drenched in your salty, buttery sweat. Here are the heaviest sideburns. Here is the fried peanut butter ball you asked for.
Sic transit gloria mundi? Not if you die on the toilet LIKE A ROCK STAR.
Never for me that narrow hip shaking army joiner. No, for me the splayed legs and billowing cape, spread like a thunderbird in laboring flight, one arm raised above your head like Michelangelo's Christ the Redeemer.
All hail Fat Elvis. He was more MORE.
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